Painting at bamyan in afghanistan predating european absolute dating of fossils depends on the decay of
The two most prominent statues were the giant standing Buddhas Vairocana and Sakyamuni, identified by the different mudras performed.The Buddha popularly called "Solsol" measures 53 meters tall, and "Shahmama" 35 meters – the niches in which the figures stand are 58 and 38 meters from bottom to top. Since then the Spring Temple Buddha has been built in China, and at 128 m (420 ft) it is the tallest statue in the world.The Taliban soon banned all forms of imagery, music and sports, including television, in accordance with what they considered a strict interpretation of Sharia.Information and Culture Minister Qadratullah Jamal told Associated Press of a decision by 400 religious clerics from across Afghanistan declaring the Buddhist statues against the tenets of Islam.It was a Buddhist religious site from the 2nd century up to the time of the Islamic invasion in the later half of the 7th century.Until it was completely conquered by the Muslim Saffarids in the 9th century, Bamiyan shared the culture of Gandhara.Despite the fact that most Afghans are now Muslim, they too had embraced their past and many were appalled by the destruction. Later, the Mughal emperor, Aurangzeb, tried to use heavy artillery to destroy the statues.Another attempt to destroy the Bamiyan statues was made by the 18th century Persian king Nader Afshar, directing cannon fire at them.
Once he was in control of Bamiyan in 1998, Wahed drilled holes in the Buddhas' heads for explosives.This coating, practically all of which wore away long ago, was painted to enhance the expressions of the faces, hands and folds of the robes; the larger one was painted carmine red and the smaller one was painted multiple colors.The lower parts of the statues' arms were constructed from the same mud-straw mix while supported on wooden armatures.They were perhaps the most famous cultural landmarks of the region, and the site was listed by UNESCO as a World Heritage Site along with the surrounding cultural landscape and archaeological remains of the Bamiyan Valley. and described Bamiyan in the Da Tang Xiyu Ji as a flourishing Buddhist center "with more than ten monasteries and more than a thousand monks".He also noted that both Buddha figures were "decorated with gold and fine jewels" (Wriggins, 1995).